Showing posts with label death. Show all posts
Showing posts with label death. Show all posts

Thursday, September 29, 2011

Sooner or later in life, the things you love you lose...


We've all suffered loss (or will). I dare say I've been lucky enough to either have dodged the worst or been mostly unaffected by it. When I was fifteen, my grandpa George died. It didn't hit me until later, as I was bored and tooling around on the moped he'd given me, that he was really gone. I turned down a side street headed for his house at the end of the lane. I stopped when I saw his empty house. And the feeling hit me - he was gone, really gone. It was a vaguely empty ache in my chest. Only his memory remained with me.

Less than a year ago, our black lab Sherman died, tragically. If you've befriended a dog or cat, you understand the depth of grief that sweeps in at their loss. Sherman was a gentle animal, and was a solid and loving companion to Jen, me, and our boys.

An old friend found me on a social network site a while back, and we corresponded occasionally. She'd been battling advanced ovarian cancer for quite a few years. I remembered her as young, vibrant, full of life. She'd broadened my musical horizons in those days we used to hang out. We had so much time on our hands... Certain songs bring back those memories of her smiles in such vivid details. She also kept a blog where she detailed her ongoing struggle for life. She wanted children fiercely, but was unable to and what went unspoken between us was that she and her husband chose not to adopt knowing where her battle would take her. Immersed in my own life, I realized one day I'd not heard from her for too long. Hesitant, I checked her Facebook page in April to find an online memorial from several of her friends. That same ache struck deeply again, despite my separation from her by time and distance.

And now this... I feel as though I should have been prepared for this. One of my longest and dearest friends finally revealed that his life-long battle with his genetic disease is drawing to a close. He'd always been very private, and with rare exception flatly refused to discuss his health with anyone. All I knew was that whatever was going on, he wasn't letting it stop him from anything he wanted to do. And he's done just that. Beyond doubt, his life is something to be celebrated. It became so easy to believe that he'd beaten the odds, he'd cheated Death. I joked that we'd be toothless old men holding wheelchair races in some old-age home somewhere. He laughed along, and sometimes I wondered at the way he chuckled.

I see now, with painful clarity, that all along he lived with a deep understanding of his own mortality. I thought I understood mine too. I couldn't have been more wrong. At this moment, I feel overwhelmed with a dread of that returning ache. Only this time it won't be vague. He's shared too many of the important points of my life for me to be able to believe I could be whole without him.

He asked me for space, for continued privacy. At first, I rejected the notion entirely. It still cuts across the very fiber of my being. But I am trying to honor what he wants. I find that time alone hurts, as my thoughts return to what he's going through. This is the first time I've written here about something that's impacted me so deeply. This pain has to go somewhere else, rather than circulate through my system repeatedly.

Though I'd consider myself among the ranks of the heathen unbelievers, I desperately want to believe in God simply so that I can bellow my rage at him for his poor judgment. Sound and fury... there's no-one to hear. The stars do not move for man.

Strangely, sometimes when my son Nick smiles at me I see my grandpa in his features. The crook in his smile, the beam in his eyes. It hurts and is heartening at the same time. As if the universe is reminding me that all things are cyclic. I want to believe, I really do.

If this ordeal is teaching me anything, it is the value of time well-spent. Something else I thought I knew only to begin re-learning it again. I can't imagine how I'd cope without my family and friends. You've got the love I need to see me through.

Friday, August 14, 2009

The script I promised...

Here's the script I promised earlier. The footage has been shot as well. This was a collaborative effort between me and The_GM. Let us know what you think, and/or if you're able to tell who wrote what... :-)


“THE ACCOUNTANT, PART 3 (FUNERAL SCENE)”

by

Asaraludu & The_GM




FADE IN:

VISITATION

Vincenzo stands inside the entrance to the funeral home. He’s dressed in a dark suit. At his right is Gino, also dressed in dark suit. Both are greeting guests who come into the home. Behind Gino and Vincenzo are several of Vincenzo’s men, milling about. Mourner 1 approaches after viewing Bella’s body and placing a single white rose onto the casket, a thirty-something woman in a black dress.

MOUNER 1

She’s with God now.

VINCENZO

Thank you for coming. Buttana! Tagliati di facchi!

Vincenzo speaks the last part QUIETLY yet VENEMOUSLY as Mourner 1 turns away. The line thins, and Gino and Vincenzo’s men move away. The camera focuses in on Gino and Vincenzo. Vincenzo turns to Gino, his face filled with ANGUISH.

VINCENZO

Gino? Filio

Gino raises his hand and says:

GINO

Basta.

Gino turns and starts walking for the restroom.

VINCENZO

I’m sorry. I’m so sorry.

Gino turns back briefly, his face SERENE but his voice dripping with SARCASM.

GINO

Why would you be? It’s the life you chose for me.

VINCENZO

Me?! This is the life you chose for her!

Gino’s bodyguard Mick follows him to the restroom, standing outside.


*POSSIBLE CUT SCENES TO JOEY/PATTIE CONVERSATION (CUT SCENE 1) AND RUSSIAN ENTRY (CUT SCENE 2)*

Excusing himself from his bodyguard Mick, Gino enters the restroom, locking the door once inside. He takes a deep breath and sighs deeply. After splashing some water on his face and toweling off, he draws his pistol and places it next to the sink. Then he stares at his reflection in the mirror for long moments, his face IMPASSIVE. Slowly his gaze travels upward and his shoulders begin to shake as he starts SOBBING silently. His hands grip the sink rim to steady himself, but he loses control as he attempts to sit down on the toilet seat and instead falls to the floor.

Outside the restroom door:

MICK

Boss?

Gino sits there for several more moments, silently wracked with sobs. He controls his breathing, and with a TREMBLING hand reaches for the pistol. Once he grips it, the trembling stops. Gino closes his eyes as he brings the barrel to his temple?/chin?/mouth? and lets out a DEEP BREATH.

CAMERA ZOOMS TO PISTOL WITH FINGER ON TRIGGER, PERHAPS ONE OF GINO’S EYES.

Gino begins to slowly squeeze the trigger. Just before the weapon is about to go off, Mick raps sharply on the door.

MICK

Boss! You need to get out here.

Gino inhales sharply and opens his eyes quickly. Through the door:

GINO

Gimme a goddamned second!

Gino tucks the pistol back in his pants and tries to compose himself. He quickly flushes the toilet, unlocks the door, and walks back toward Vincenzo.



CUT SCENE 1 – JOEY/PATTIE CONVERSATION

Joey and Pattie stand before the casket paying respects as other mourners come and go. On top of the casket is a framed photograph of the deceased. Joey picks it up, FROWNING at it as he scrutinizes the picture.

JOEY

She reminds me of somebody.

Pattie looks disinterested, staring out into the pews.

PATTIE

Yeah?

JOEY

Remember, that girl from Saint Innocent?


PATTIE

That was before my time…

Joey interrupts, growing more excited.

JOEY

Her name was Nadya or some shit. Maybe Nikki. I dunno. Anyways, that girl looked kinda like Bella.


PATTIE

Don’t let the old man hear you say that shit.

Joey lowers his voice a bit.

JOEY

Ever tell you about that?

Pattie shakes his head no.

JOEY

So that bastard Latimir had been causing trouble. Same old shit, ya know? The old man, he’d had enough. So we were gonna shake things up a bit. Make a statement, ya know?


PATTIE

Sure.


JOEY

So we head over to their territory when the old man says,

Joey imitates Vincenzo’s RASPY voice

JOEY

“Stop the car!”

Pattie chuckles a bit as Joey continues.

JOEY

So Gino, he pulls right in front of Saint Innocent. The Russians were having some kinda ceremony, like a confirmation or some shit, I dunno. But they’re all comin’ outta the church and Vincenzo bails from the car. I was right behind him. It was my first job with the old man.

Pattie’s eyebrows raise.

PATTIE

At a fuckin’ church, Joey? Are you serious?

Pattie is incredulous, but still laughing. Joey shrugs and smiles.

JOEY

So the shit’s goin’ down, lead flying everywhere and all the sudden I see a sniper out the corner of my eye, hiding behind a pillar, all commando and shit. I take my shot and split that bastard right between the eyes. ‘Cept it ain’t no sniper.

Pattie’s eyes widen in CONCERN.

PATTIE

It was the girl?!

Joey laughs and shakes his head.

JOEY

Even worse. It was the Virgin Mary. Can you believe that shit? I ventilated the fucking Virgin Mary.

Both laugh. Pattie continues to laugh as he says

PATTIE

You’re going to Hell for that.

Joey falls silent and places the photo back on the casket. He looks Pattie dead in the eye. His voice is SERIOUS.

JOEY

We’re all going to Hell, Pattie. And it ain’t because we shot up some fuckin’ statue.

Pattie falls silent and looks UNCOMFORTABLE. Joey gives the casket a friendly pat.

JOEY

Her name was Nina. She got caught in the crossfire. Just like Bella.

CUT SCENE 2 – THE RUSSIAN ENTRY. As Gino walks toward the restroom, Vincenzo works his mouth is if say something, then composes himself. He turns his attention to the main entry, where Latimir enters, small BOX in hand, Vasili right behind, Vladislav and Ghost stepping to flank the doors. Sensing the threat, Vincenzo’s men step up around him. Latimir approaches Vincenzo, who reflexively proffers his hand. Latimir shakes it, holding his grip and smiling while he speaks.

LATIMIR

Condolences, Don Liota. Eez terrible to lose one so… eennocent. I KNOW EXACTLY how you feel.

Latimir SLOWLY lifts his hands and displays the BOX. THE TENSION MOUNTS. He offers it to Vincenzo, who looks at it quizzically. He takes it from Latimir’s hand, who says:

LATIMIR

Thees eez for YOU and YOURS… from ME and MINE.

Latimir nods his head and turns back toward the door. Joey and Pattie step up behind Vincenzo, and Pattie gives Vasili a HARD LOOK. Vasili returns the look with a MANIACAL GRIN, eyes WILD, before falling into step behind Latimir. As the two leave, Vladislav and Ghost close in behind the both of them.

After watching them exit, Vincenzo notices the BOX in his hand again and passes it to Joey. Joey drops the BOX, and it spills open revealing a spent SHELL casing. Everyone stares at it. A SMALL SOUND (grunt/wheeze?) escapes Vincenzo. Gino and Mick approach, pressing into the circle around the SHELL. The SHELL becomes like a singularity, from which its gravity no one can escape.

VINCENZO

The Russians did this.

Gino reaches down and takes the SHELL. All eyes follow it. His hand closes around it tightly, his face a mask of singular PURPOSE.


FADE OUT:

THE END

Thursday, October 16, 2008

Norah Jones?

The_GM gave me some thematic words and less than 500 words to craft a compelling story. You be the judge.

When I saw the break of day, I was reminded of the way a coffee stain spreads along a napkin. Dim light crawled its way onto the blanket of night. Purples and deep reds pushed back the midnight blues to make way for orange-gold clouds rimed with frosty darkness.

I shivered as a chill ripped through me. The stain was devouring the lowest clouds. Funny that I imagined feeling the cold. What point of reference did I have? I’d long since abandoned warmth and sunshine for the Abyss.

My skin started to itch. I wanted to scratch. Hell, I wanted to bolt. Hard prospect when I had a two-inch spike protruding from my chest. Left here. Unable to die. Pinned to a tree like a moth under glass. Moth was such a perfect reference. A croak issued from my throat, the best laugh I could muster past immobile lips. I could almost hear my last feeble flutterings against a pane of glass. That pane of glass was my life. Or whatever semblance of one remained to me.

Strange… my life was a multi-colored blur of emotion before it was so utterly changed. It was all so powerfully confusing. And it seemed so long ago, even though it’d only been a year. And since, all the color had washed out of my world. There was only white-hot hunger and dreary longing.

I tried to stay away, but time only seemed to intensify that final emotion I clung to. Brian stood out stunningly against the wash of gray faces, those I now regarded as food. I came to him, flushed with heat from recent kills. Despite all his questions, he embraced me as he once had. The intensity of our love stayed his curiosity for a while.

But I grew sloppy.

Is love eternal or fickle, or both?

Brian asked me to meet him for a midnight stroll in the park. When we’d first dated, we’d sometimes stay out all night and we’d steal away here in the small hours. There was a small hill with a bent oak at the top. We’d sit in the lower branches and watch the sun rise. This time he glared at me monstrously as he drove the wedge between my breasts, paralyzing me instantly. As he left me there, he said, “I loved you so much, Penny.” I wanted so much to tell him I loved him too.

The itch became a hot tickle that bathed my face and arms. The sun was seconds beyond the horizon. My eyes were already filming over as I watched the sky blaze into a prismatic spray of gorgeous pastel.

It was so beautiful. I wished that I could fly away.

Oh Brian…